City of Dark Magic, written by Magnus Flyte (pen name for Meg Howrey and Christina Lynch), is a fun, breezy mystery full of both vivid history and lurid supernatural. It’s a quick-paced little novel, by turns light and dark, serious and ridiculous, campy and straight-faced. Do not come into this novel expecting a historical mystery/thriller a la Dan Brown. While City of Dark Magic is undoubtedly well-researched and full of interesting cultural and historical information, it is also a romp through the Czech Republic with an unabashedly magical re-imagining of major people and events.
The story follows Sarah Weston, a PhD student focusing on music and the emerging field of neuromusicology. After her mentor dies while working on a project in Prague, Sarah is contacted to fly to Europe to complete his work. Once in Prague, she is torn between investigating the suspicious circumstances surrounding her mentor’s death, finishing his work, and pursuing her own interests — both academic and decidedly not so.
Confronted with mysteries both old and new, Sarah must sift through the people and places around her to determine what’s real, a lie, a hallucination, or magic. The fabric of time is thin in Prague, and Sarah begins to find herself slipping through the portals (especially with the help of a mind-expanding drug provided by a dwarf that knows far more than he’s telling). Historical drama meshes with modern political intrigue, creating a panorama of suspense through the centuries. Glimpses of the past begin to provide insight to the modern side of the mystery, in which Sarah finds herself facing off against a ruthless U.S. Senator with countless hidden allies around the world. Agendas overlap, then clash, and it becomes more and more impossible for Sarah to determine who she can actually trust.
The supernatural and mystery aspects of City of Dark Magic are the strongest aspects of the novel; the love story subplot, while fun, is really dispensable when you get down to it. Yes, it’s exciting and very romantic-comedy for the American student to fall for a European (though raised in the U.S.) prince, but it also doesn’t add much to the novel or growth of the characters apart from random opportunities to have sex. As much as I liked this novel, I really felt like the sex scenes were thrown in purely for the sake of having sex scenes. And, while I’m all for some literary sexy time when appropriate to the plot, I just felt like I wouldn’t have missed anything and nothing would have changed had those scenes been cut.
My other major issue with the novel was the ending, which felt like it both came out of nowhere, and resolved very little. Of course, magic played a major part — but given the supernatural bent of the book, I had no issue with that — but it just felt all too convenient. It cut off one storyline without warning or subsequent follow-up, but left another dangling. Now, I have since found out that there is a sequel coming out in November, titled City of Lost Dreams, so I assume the threads left unraveled will be pursued in the forthcoming novel. That does make me feel better, though the ending still left me a tad dissatisfied.
I recommend this book, but with the admonition that you don’t take it seriously, at all. Just have as much fun reading it as the authors seem to have had writing it, and you’ll be in a good place. Despite my reservations, I’m definitely planning on reading the sequel to see if City of Lost Dreams follows the plot lines that were unresolved in City of Dark Magic. I suppose that’s my bottom line: fun, interesting, more than a little silly, and good enough to get me to read the second novel.