I recently read Magnus Flyte’s second novel, City of Lost Dreams, the sequel to City of Dark Magic (for which you can read a review here). It’s fluffy and fun, but not quite as sharp as its predecessor. The story picks up over a year after the events of the first novel, and Sarah Weston finds herself once again in Prague, visiting Nico, her now-ex-boyfriend Prince Max, and her friend Pollina, who is dying of a disease that no doctor can quite pin down. Sarah is there to try and help Pollina; she pursues answers from a brilliant doctor in Vienna while Nico explores older alchemical cures that might be applicable to Pollina’s case.
As in City of Dark Magic, modern action combines with historical fact and fiction, as the past comes to life in both Prague and Vienna. As Pollina’s friends become more and more desperate to save the young musical prodigy, the odd events that seem to constantly unfold around Sarah, Nico, and Max become stranger and stranger. This is the best aspect of the novel, in my opinion: the mystery of how and why these occurrences keep piling up, and how they are all related. The reader is just as confused as the characters for much of the novel, and the eventual resolution does tie everything together in interesting, albeit occasionally vaguely unsatisfying, ways.
While I enjoyed the mystery/adventure aspects of the story, there were features that stretched my patience as a reader. The narrative is a bit jerky and disjointed, especially with the addition of full chapters from another book (an in-world manuscript being written by one of the characters). Though the manuscript chapters did eventually lead to an explanation of some of the mysterious events, I didn’t like the style or tone of them, nor did I appreciate being forcibly yanked out of the main storyline with no explanation. The authorial voice grated on me for some reason; I think it was largely because I didn’t feel that the tone/syntax/word choice was at all appropriate for the character, given their background and personal history. Thankfully, the irritating voice is strictly confined to these “other” chapters. As I said, it does contribute to understanding events later on, but I just didn’t enjoy the asides when they came up every so often.
As with the previous novel, City of Lost Dreams requires an enormous willingness to suspend disbelief. I don’t know why, but I had a hard time with that in this novel. I think it is in part because City of Lost Dreams combines genres and expectations in a way that few other books do. While this makes it unique, to be sure, it also stretches the limits of what I understand and am willing to tolerate in terms of the rules of the novels’ universe. I can do sci-fi and fantasy — in fact I enjoy both very much — but I like the rules of the world to be more or less strightforward. Here, I felt like to many things were fluid that ought to have been static. However, despite my occasional frustration or skepticism, I did enjoy the novel overall.
I’m interested to see whether a third novel will eventually join the series, as City of Lost Dreams left the storyline open to continue should the authors wish to do so. As of right now, I’m mostly sure that I would read another novel in this vein, but I think it would have to make a pretty strong case to get me to stick with a series beyond that.
Final call: a fun book, more than a little odd. Not a must-read, but recommended for people who enjoyed City of Dark Magic and want either more adventures and/or more closure.